FLESH FOR LULU "Siamese Twist" LP NM/VG+ UK 1987 45 RPM Indie Rock, Goth, Punk

$ 3.17

Material: Vinyl Artist: Flesh for Lulu Format: Record Color: Black Sleeve Grading: Very Good Plus (VG+) Release Year: 1987 Style: Indie Rock Record Label: Beggars Banquet – BEG 184T Record Grading: Near Mint (NM or M-) Release Title: "Siamese Twist" Record Size: 12" Number of Audio Channels: Stereo Genre: Goth Country of Origin: United States Type: EP Speed: 45 RPM Catalog Number: Beggars Banquet – BEG 184T

Description

FLESH FOR LULU "Siamese Twist" LP NM/VG+ UK 1987 45 RPM Indie Rock, Goth, Punk. Flesh for Lulu Biography by Rovi Staff. Indie Rock. Producer [Produced By] – Flesh For Lulu. This British band (1983-87) had a gloomy Gothic punk sound. "I Go Crazy" was a college radio hit. Vinyl, 12", 45 RPM, Stereo. Flesh for Lulu Biography by Rovi Staff This British band (1983-87) had a gloomy Gothic punk sound. "I Go Crazy" was a college radio hit. Flesh For Lulu – Siamese Twist Flesh For Lulu - Siamese Twist album cover More images Label: Beggars Banquet – BEG 184T Format: Vinyl, 12", 45 RPM, Stereo Country: UK Released: 1987 Genre: Rock Style: Indie Rock A Siamese Twist Baritone Saxophone [Baritone Sax] – Martin Dobson Engineer [Recording Engineered By] – Hayden Bendall* Lyrics By – N. Marsh* Mixed By – Ian Grimble Producer [Produced By], Mixed By – Mike Hedges Tenor Saxophone [Tenor Sax] – Gary Barnacle Trombone – Peter Thom* 7:08 B1 Dumbest Thing (Live In Your Living Room) Engineer [Engineered By] – Ian Grimble Lyrics By – R. Barker* Producer [Produced By] – Flesh For Lulu 3:25 B2 Blue Sky Engineer [Engineered By] – Ian Grimble Guitar [Additional] – Derek Greening Lyrics By – J. Mitchell* Producer [Produced By] – Flesh For Lulu 4:40 B3 Siamese Twist (7" Version) Baritone Saxophone [Baritone Sax] – Martin Dobson Engineer [Engineered By] – Ian Grimble Lyrics By – N. Marsh* Producer [Produced By] – Mike Hedges Tape Op [Tape Operator] – Darren Godwin Tenor Saxophone [Tenor Sax] – Gary Barnacle Trombone – Peter Thom* 3:50 Record Company – Warner Communications Distributed By – WEA Records Ltd. Phonographic Copyright ℗ – Beggars Banquet Copyright © – Beggars Banquet Pressed By – Damont Published By – Momentum Music Ltd. Recorded At – Abbey Road Studios Design [Sleeve Design], Sleeve [Sleeve Design] – Nick Marsh Music By – Flesh For Lulu Photography By – Patrick Quigly [Sleeve:] B1, B2: Recorded at Abbey Road Studios Feb '87 In memory of Mark 'Thou wast not born for death, immortal bird!' [Labels:] Manufactured in the UK ℗ & © 1987 Beggars Banquet Lyrics to track A printed on the rear sleeve. Matrix / Runout (Center label, A-side): BEG 184T A* Matrix / Runout (Center label, B-side): BEG 184T B* Matrix / Runout (Runout side A, etched): BEG-184T-A1 DAMONT Matrix / Runout (Runout side B, etched): BEG-184T-B2 DAMONT Title (Format) Label GOLDMINE GRADING MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect. NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly. VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors. VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc. GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork. POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.