History of Jazz Showa Period and Cultural History of Music

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History of Jazz Showa Period and Cultural History of Music. Contains an unfinished and unpublished autobiography, "Another Showa History". ○History is different for each person, this is my history of jazz Showa. Part 4: When radio and the Occupation Forces wanted jazz. General Description Contains an unfinished and unpublished autobiography, ``Another Showa History''.A giant in the world of jazz criticism talks and writes about the days of exploration and turbulent times.Part 1: When real jazz came to Japan○History is different for each person, this is my history of jazz Showa.○Is jazz for white people? No one was aware of black jazz○In the late 1950s, jazz reflected changes in American black consciousness.○Jinichi Uekusa is passionate about jazz and breathes new life into the world of Japanese jazz criticism.Part 2: A student at Keio Preparatory School turns his attention to jazz.○Learn about the appeal of Western music through Western movies, and then pass it by jazz.○A time when everyone enjoyed popular music in the dark.○Obtain the famous book ``Hot Jazz'' and open your eyes to jazz overnight○Write the first commissioned manuscript for Shizuo Haruna's "Dance and Music" magazinePart 3: Western movies, jazz, and youth in the clouds of war○ Gained the acquaintance of Hisamitsu Noguchi, a senior student, and hit it off with Ryuji Kono, a student at Waseda University.○Exchange information with Kono-kun and ask for great records at jazz cafes all over the place.○On the eve of the war, a Blue Note record washed ashore at Kono's house in Senju.○Love for Nan Win in the clouds of war, and jazz fans during the warPart 4: When radio and the Occupation Forces wanted jazz○ All the SP records that I listened to while covering the gramophone with a cushion turned to ashes.○I was surprised by the occupation army's jeep and thought of Duke Ellington.○Restart your jazz fandom by relying on NHK and FEN○ Become friends with American soldiers at the military base and obtain jazz magazines and jazz books.5th “Hot Club” Founding Secret Story, Part 1 (Guest: Yasuyuki Ishihara)○ V-disc, a U.S. military battlefield record that was sought after○If you want to see strange people, meet the old man at the used record shop.○ “Hot Club” is born in Ueno’s “Ito Coffee”6th “Hot Club” Founding Secret Story, Part 2 (Guest: Yasuyuki Ishihara)○Did the wartime “Jazz Fan Cruel Story” really exist?○ Hot Club supervises “History of Jazz” and produces great results○Produced critics, records, and broadcasting industry people to this day.Part 7 Awesome Ryuji Kono and the inside story of the record industry○Ryuji Kono joins Victor and records Japan's first modern jazz○A strange encounter with Ensign Jimmy Araki, who brought bop to Japan○Konosuke Matsushita criticizes the record company of Zubora Group○Producer Kono's unique strategy that has produced many big hits8th Japan's first "Jazz Lecture" and behind the scenes (Guest: Hiroshi Nakamura)○ Keio's "Jazz Course" was the first university in Japan to tackle jazz head-on.○After the first jazz boom, there was a trend towards listening to jazz theoretically.○ NHK's jazz record library comprehensive data conversion plan has failedNo. 9 The truth about the unprecedented jazz boom, Part 1 (Guest: George Kawaguchi)○A young assistant instructor at the Manchuria Air Crew Training School crashes but narrowly survives.○ A popular drummer from Dalian who is on the wanted list returns to his homeland at the risk of his life.○ Get hired by a gay quintet for more money, jazz, and higher pay.No. 10: Western jazz books that guided groping fans○Two great pre-war works, "Hot Jazz" and "Jazzmen"○ Melody Maker, a famous British music newspaper that understands black jazz○ Translation of his favorite book “Jazz Book” and serialization of “Music Life”○“History of Jazz History” with repeated editions and later compilation “History of Jazz”Part 11: The truth about the unprecedented jazz boom, Part 2 (Guest: George Kawaguchi)○Meet with popular goalkeeper (George Kawaguchi) and respected goalkeeper (Gene Krupa)○A super band is born from Gay Septet and Six Jaws!○The Big Four, a super band that led the fashion of the times12th Bridge to America (Guest: Toshiko Akiyoshi)○Studied at Berklee College of Music with the help of Oscar Peterson○Detour to Los Angeles and listen to Miles Quintet at Jazz City○Assigned to promote Berklee as a valuable foreign woman in the jazz world○ Reunited with Utah Hipp, a fellow female pianist from another country, for the first time in 30 years13th “Jazz Showa History” Prehistory/Part 1: Dawn of the Japanese Jazz World○The flow of Japanese jazz began with the interest of children from upper class families.○A worldwide fact that certain popular music is disseminated through the upper class.○ The main character of the British Royal Family's "Love of the Century" was a huge Ellington fanatic.No. 14 History of Showa jazz record changes○ Mainstay Nippon Victor, Nippon Columbia and Lucky Records○Polydor acquires Shinko Decca Records.○If you think about the jazz cafes of the SP era, where each song was served individually, it's boring now.○ Shortly after the war, there was a long record competition between CBS and RCA.○Even the radio station engineer didn't know about LP.○ Unable to grasp the possibility of long-duration recording of jazz, choose EPThe 15th JATP visit to Japan incident(Guest: Yoshio Maki)○ Accidentally invents electric trick during a live program on Radio Kansai○ Taihei Records acquires Mercury and releases JATP○ Riding on the Perdido, open car parade from Haneda in the cold sky16th "History of Jazz Showa" Prehistory and Part 2 - Jazzmen to Kansai○Osaka's dance hall boom and Cherryland Jazz Band○The authentic Chicago jazz band brought back by magician Shokyosai Tensho○Cherryland, Tenkatsu Band, Fumio Nanzato from Kobe, gathered at Asakusa Denkikan17th 20th century cultural background of “Jazz Showa History”○The late 1950s formed the highlight of 20th century culture○ Various cultures in the 20th century experienced peaks of change.○West Coast Jazz created by the film industry and its limits○ Simultaneous spread of modern jazz culture at its peakNo. 18: The first prestigious jazz band, the Gay Septet (Guest: Raymond Conde)○ He came to Japan to have his appendix cut and became a jazz musician while studying at Waseda University.○My wartime days as a Japanese musician after getting married and becoming a naturalized citizen.○ Birth of an all-star band modeled after the Goodman Combo19th Rockwell Records Story○Jazz by Japanese! The birth of Rockwell Records○ Three EPs: Dixie, Swing, Modern, and 1950s○ Mail order, packed and shipped at home, 200 pieces each sold out○Unreleased LP recording of Eiichi Fujii Quartet including Sadao WatanabeWork for the 20th “Modern Jazz Masterpiece Collection”○Disposed of charity records, the phantom “Ellington Inn Niigata”○White jazz from ``Midsummer Night's Jazz'' is more mainstream than hard bop○ UA's Art Farmer "Modern Art" selected for the first time21st “Collection of Masterpieces” and Jazz Messengers○Another “Mornin” recorded live in Paris○Abandoned contract with Blue Note via Top Rank○How did “Saint Germain’s Jazz Messengers” sell?○Jazz Messengers' first visit to Japan, which attracted attention from various circlesThe 22nd Jazz Cafe Golden Age has arrived (Guest: Hozumi Nakahira)○The legendary jazz cafe “DIG” opens on the third floor of a building in Shinjuku.○Record theft from the second store “DIG” in Shibuya, the truth behind the “Matador” incident○The original version is the lifeblood of a jazz cafe, this is the hit version of yesteryear.After the final episode, John Coltrane○ Coltrane is still alive during his very moving performance in Japan.○Free jazz has come this far.○The dismantling of conventional jazz and the path shown by “Bitches Blue”○The phantom masterpiece boom that started with Tommy Flanagan's "Overseas"○ Authentic Japanese jazz recording led by Takuto and TBM○The sympathy of Japanese fans who supported the poor times will foster the future of jazz.Autobiography of Shoichi Yui Another Showa historyPrologue~Showa 10, SpringChapter 1 Encounter with jazzAbout Nagaharu Yodogawa after the war/Meeting Komako, the geisha from “Snow Country”/Billie Holiday records I listened to againChapter 2 About the birthplaceGreat Kanto Earthquake/From Yokohama to KobeHabutae was my father's calling.Chapter 3 Boyhood in Kobe/Settled in Sannomiya-cho 1-chomeBeautiful Sisters of Jigokudani/Started playing Go to commemorate their 60th birthdayChapter 4: Songs, movies, kabuki, and vaudevilleAbout Noriko Awaya/Tokugawa's speaking skills in her youthJack Benny's Wonderful Time/He goes to Tokyo to take entrance exams and enjoys movies and KabukiRakugo mastersChapter 5 Youth during the warFebruary 26 Incident walked through the scene that day/Exciting draft inspectionMarriage during the war/time as an anti-aircraft gun officer in DaibaScary Death and Not Scary Death/Tokyo Air RaidChapter 6 Postwar changesEnd of the war/Reconstruction of Yui ShotenAssistance in opening an office/private television in Higashi GinzaThe charm of Kakuei TanakaChapter 7 As a Jazz CriticApron Vaudeville/Jazz Messengers first visit to JapanPaul Bley's press conference/My word processing trainingThinking of Professor Shoichi Yui at the Shoichi Yui Archive (Hitoshi Namekata)1 What the archives tell us2 The origins of critic Shoichi Yui3 Unfinished posthumous work “Another Showa History”Shoichi Yui's music (material provided by Shotaro Yui)Editor's afterword Appearance/Included Item This is Japan Import, written in Japanese Language. 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