John Sbardellati J. Edgar Hoover Goes to the Movies (Hardback)

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Item Width: 6.5 in Book Title: J. Edgar Hoover Goes to the Movies : the FBI and the Origins of Hollywood's Cold War gtin13: 9780801450082 Release Year: 2012 Publication Name: J. Edgar Hoover Goes to the Movies ISBN: 9780801450082 Author: John Sbardellati Item Length: 9.5 in ISBN-10: 080145008X Publisher: Cornell University Press Title: J. Edgar Hoover Goes to the Movies Language: English Country/Region of Manufacture: US Illustrator: Yes Topic: Film / General, United States / 20th Century, Law Enforcement, Film / History & Criticism Release Date: 05/01/2012 Format: Hardcover Item Height: 0.8 in Item Weight: 32.1 Oz Publication Year: 2012 Number of Pages: 264 Pages EAN: 9780801450082 Subtitle: The FBI and the Origins of Hollywood's Cold War Genre: Political Science, Performing Arts, History

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Further Details Title: J. Edgar Hoover Goes to the Movies Condition: New Subtitle: The FBI and the Origins of Hollywood's Cold War ISBN-10: 080145008X EAN: 9780801450082 ISBN: 9780801450082 Publisher: Cornell University Press Format: Hardback Release Date: 05/01/2012 Description: Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies , John Sbardellati provides a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War. Language: English Country/Region of Manufacture: US Item Height: 235mm Item Length: 155mm Item Width: 22mm Item Weight: 28g Author: John Sbardellati Genre: Films & TV Release Year: 2012 Missing Information? Please contact us if any details are missing and where possible we will add the information to our listing.