Robert Whitman 1973 Signed Numbered Limited Edition Screenprint 100% Rag Paper

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ROBERT WHITMAN 1973 SIGNED NUMBERED LIMITED EDITION SCREENPRINT 100% RAG PAPER. Double Sided Screenprint on 100% Rag Paper. I like to use it that way. It can describe other natural events.”. – Robert Whitman. Untitled, 1973. Edition of 300 impressions; this impression numbered edition number: 107/300. Robert Whitman Untitled 1973 Signed Numbered Double Sided Screenprint Pristine Condition Unframed Robert Whitman (1935-2024) Untitled, 1973 Double Sided Screenprint on 100% Rag Paper 12 x 18 inchesEdition of 300 impressions; this impression numbered edition number: 107/300. Signed and numbered "107/300" lower right in pencil Published by Experiments in Art and Technology Printer Styria Studio, Inc., New York Accompanied with original portfolio sleeve with Artist's name printed in block letters on Cranes Bond No. 1 paper. Unframed Pristine condition; never framed, hinged or matted This Robert Whitman screenprint is in pristine, museum quality condition as it has been archival stored since it was originally published, over 50 years ago. A pioneer of performance and multimedia installation work, Robert Whitman devoted his career to extending the boundaries of art as we know it. He was a seminal figure in the performances called Happenings—a hybrid art form spanning installation, performance, and other mediums—presented in New York in the early 1960s by a group of artists that included Claes Oldenburg, Allan Kaprow, Jim Dine, and Red Grooms. Among the artist’s most famous performances as part of the Happenings scene was American Moon, which premiered at the Reuben Gallery in New York on November 29, 1960 and was performed ten times through early December of that year. Incorporating flashes of light, moments of total darkness, film projections, and cacophonous sounds, American Moon induced feelings of awe and disorientation in audience members, who watched the event from semi-enclosed tunnels built as part of the set. In 2023, four live performances of American Moon, set amid a recreation of Whitman’s original set for the work, were presented at Pace’s New York gallery. “The thing about theater that most interests me is that it takes time. Time for me is something material. I like to use it that way. It can be used in the same way as paint or plaster or any other material. It can describe other natural events.” – Robert Whitman Robert Whitman’s art can be seen in numerous public collections around the world, including The Museum of Modern Art, New York; Walker Art Center, Minneapolis; the Smithsonian American Art Museum, Washington, D.C.; the Moderna Museet, Stockholm and Centre Pompidou, Paris. 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