Louis Icart -- The Presentation: Nude with Chaperone Rabelais 1936 Pantagruel.

$ 46.2

Item Height: 9.5 in Style: Art Deco, carnival fantasy Title: Louis Icart 1936 Original Color Heliogravure Gargantua Pantagruel Production Technique: Heliogravure width: 7.25 in Unit of Sale: Single Piece Size: Medium Region of Origin: Paris, France Time Period Produced: 1925-1949 Country of Origin: France Artist: Louis Icart Culture: european Image Orientation: Portrait Year of Production: 1936 Theme: Fantasy, gargantua Pantagruel, comic aristocrat, Trickster Item Width: 7.25 in Original/Licensed Reprint: Original Subject: Rabelais, the trickster's revenge, Panurge, the riddle Unit Quantity: 1 height: 9.5 in Features: Limited Edition Type: Print Period: Art Deco (1920-1940) Material: Paper, Velin d'Arches paper

Description

Louis Icart -- The Presentation: Nude with Chaperone Rabelais 1936 Pantagruel.. Le Vasseur's 1936 edition is the definitive illustrated Rabelais of the Art Deco period — a luxury bibliophile production printed by Draeger Frères in color heliogravure using multiple etched copper plates. Louis Icart — Original Color Heliogravure, Gargantua et Pantagruel (Le Vasseur Edition, 1936) Artist: Louis Icart (1888–1950) Medium: Multiple etched copper plates. Original color heliogravure (photogravure), Printer: Draeger Frères, Paris Publisher: Le Vasseur et Cie, ParisYear: 1936 Paper: Vélin d'Arches Plate mark (cuvette) is visible and lovely, the visible physical artifact of an intaglio copper plate pressed into heavy paper. Sheet size: approximately 9.5 × 7.25 inches, full margins as issued From # 446 of 900 Limited Edition Sets. Photos of the colophon and "Justification du Tirage" are for informational purpose only and are not part of the sale. Le Vasseur's 1936 edition is the definitive illustrated Rabelais of the Art Deco period — a luxury bibliophile production printed by Draeger Frères in color heliogravure using multiple etched copper plates. Louis Icart built his reputation on elegant, sensual depictions of Parisian women — polished, fashionable, and largely decorative. The 1936 Rabelais commission placed him in entirely different territory: broad physical humor and the full carnival spirit of a text that has been transgressing decorum since 1532. The result is unmistakably Icart in line and color, but working in a register — grotesque, comic, uninhibited — that his commercial output rarely required of him. Ships flat, protected in rigid mailer with archival sleeve and stiffeners.