Frans Masereel — "Aus dem Grotesk-Film" (From the Grotesque Film) — 1926 print

$ 23.76

width: 7.25 in Country of Origin: Germany Type: Print Production Technique: Line Block Relief Print Region of Origin: Germany Year of Production: 1926 Style: Expressionism, German Expressionism, German Expressionist, Novel without words, Early Graphic Novel, wordless Novel, Silent Book, Graphic Narrative, New objectivity Item Width: 7.25 in Size: 7.25 x 10 inches Original/Licensed Reprint: Licensed Reprint height: 10 in Unit of Sale: Single Piece Features: 1st Edition Material: Paper Image Orientation: Portrait Unit Quantity: 1 Time Period Produced: 1925-1949 Theme: People, isolation of individual, America 1920's Period: German Expressionist Artist: Frans Masereel Item Height: 10 in Signed: No Subject: Amerika, View of America, German Expressionist Title: German Expressionist America through film, cinema, jazz age Framing: Matted

Description

Frans Masereel — "Aus dem Grotesk-Film" (From the Grotesque Film) — 1926 print. Frans Masereel — "Aus dem Grotesk-Film" (From the Grotesque Film) — 1926. A century on, this image hasn't aged — it has clarified. Relief, line-block composition printed in 1926 'after' original works — drawings and woodcuts — by Masereel. Frans Masereel — "Aus dem Grotesk-Film" (From the Grotesque Film) — 1926 A century on, this image hasn't aged — it has clarified. Masereel's vision of America in the jazz age: a manic performer, a cigar-chomping industry boss, cabaret dancers, studio lights, and skyscrapers packed to the margins. Individual humans dissolved into the spectacle machine. He made this without ever visiting America, reconstructing it entirely from silent films and illustrated press. He got the feeling exactly right — because he wasn't capturing America. He was capturing the image of America that America was already exporting. A more unsettling kind of accuracy. Printed in Dresden by Petzschke & Gretschel, 1926. Plate 12 from a German publication of that year. Ivory paper, lightly toned at edges. Printed both sides as issued. Image strong and clean. Sheet 7.25 × 10 inches. Relief, line-block composition printed in 1926 'after' original works — drawings and woodcuts — by Masereel The jazz age and the algorithm age rhyme uncomfortably well. 1926 to 2026, the subject unchanged: individual humans dwarfed and scrambled by the machinery of entertainment, capital, and finance. Simultaneously quaint, ominous, and familiar.