Art, Emotion, and Ethics, Hardcover by Gaut, Berys Nigel, Brand New, Free shi...

$ 70.79

Type: Textbook Item Length: 9.2 in ISBN: 9780199263219 Publisher: Oxford University Press, Incorporated Subject Area: Art, Philosophy Publication Name: Art, Emotion and Ethics Item Weight: 20.5 Oz Language: English Subject: General, Aesthetics Item Height: 1.2 in Book Title: Art, Emotion, and Ethics width: 6.1 in Publication Year: 2007 Author: Berys Gaut Item Width: 6.1 in Format: Hardcover height: 1.2 in Number of Pages: 288 Pages

Description

Art, Emotion, and Ethics, Hardcover by Gaut, Berys Nigel, Brand New, Free shi.... Art, Emotion, and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Art, Emotion, and Ethics, Hardcover by Gaut, Berys Nigel, ISBN 0199263213, ISBN-13 9780199263219, Brand New, Free shipping in the US Art, Emotion, and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion, and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.