Iain M. Banks, Hardcover by Kincaid, Paul, Brand New, Free shipping in the US

$ 71.32

Item Weight: 16 Oz width: 6.2 in Publisher: University of Illinois Press Subject: Science Fiction & Fantasy, Literary, European / English, Irish, Scottish, Welsh ISBN: 9780252041013 Language: English height: 0.7 in Item Length: 9.3 in Item Height: 0.7 in Publication Name: Iain M. Banks Publication Year: 2017 Author: Paul Kincaid Subject Area: Literary Criticism, Biography & Autobiography Number of Pages: 206 Pages Format: Hardcover Type: Textbook Book Title: Iain M. Banks Item Width: 6.2 in Series: Modern Masters of Science Fiction Ser.

Description

Iain M. Banks, Hardcover by Kincaid, Paul, Brand New, Free shipping in the US. The publication of Consider Phlebas in 1987 was one of the triggers for the British Renaissance. Paul Kincaid argues that many of Banks's supposedly mainstream novels had science-fiction aspects, while mainstream techniques and sensibilities were incorporated into all of his science fiction. Iain M. Banks, Hardcover by Kincaid, Paul, ISBN 0252041011, ISBN-13 9780252041013, Brand New, Free shipping in the US "It is almost impossible to fully express the influence that Scottish Author Iain M. Banks (1) has had on science fiction, particularly in the UK. The publication of Consider Phlebas in 1987 was one of the triggers for the British Renaissance. This exuberant left-wing space opera was also one of the foundational texts for the New Space Opera, and was a clear influence on Stephen Baxter, Paul J. McAuley, Justina Robson and Alistair Reynolds. Banks authored 14 sf novels, nine of them set in the universe of the Culture, exploring most of the major sf themes and genres: utopia and dystopia, interstellar warfare, interaction with alien life, the biology-technology divide, and perpetual surveillance. His writing is characterized by an exceptional attention to literary style and a signature dark sense of humor. He achieved mainstream success as one of the giants of Scottish literary fiction, Iain Banks: author of The Wasp Factory (1984), Walking on Glass (1985), The Bridge (1986), Espedair Street (1987), and thirteen other mainstream novels. Paul Kincaid argues that many of Banks's supposedly mainstream novels had science-fiction aspects, while mainstream techniques and sensibilities were incorporated into all of his science fiction. It is, therefore, impossible to consider one aspect of his fiction in isolation; the two feed into each other"--